@Mario Vavti It’s been discussed in detail above including examples.

@Mario Vavti Does that mean, that removing boosts isn’t technically feasible on HZ?

@Marshall Sutherland Marshall, i see your and Mario’s point:

Is it completely unfathomable to wanting to be able to remove a boost later alone, because you do not want to show up as a booster on their post after the type of incidents described above? That should make it clear.

This works in Mastodon, why should it not work here?

@Mario Vavti Let’s use an example. Someone posts a thread, i like the initial post, i am boosting it, so that more can engage in that discussion. The whole thing later on turns into sthg. nasty, there’s many options, flame wars, anti-human stuff, what-have-you.
And so finally I’d like to take my repeat/boost away not to lure more people into this mess. But then i can’t. I can with a like, why not with a repeat/boost?

@Mario Vavti I can’t see your point. This would mean, that people engaging upon a recommendation are also acting weirdly. I can’t see neither of those issues, and i think, that the whole is just one of comm being fluid, neither fully controllable nor judgeable. What matters to me, is that i could publicly (or not) withdraw a consent or even endorsement which i had given before to some content and their author(s).
What others make of either action is their own story, not mine.

@Mario Vavti Easy, that i stop supporting a post, that i supported before, because later on i had a 2nd thought. Btw i am no special person there, people change their mind all the time.

@Mario Vavti Thank you very much! Now that we have a “repeat again” option on the boost menu, can we also have a remove repeat option?

@lee I guess you could like this. It’s got humour ;)

@Mario Vavti Updated 2 hours ago, and network notifications stopped almost completely. Everything just drops in slowly. Could this be related to the lazy load? Is there a way to manually switch this off to find out?
On a second note i have an issue with the time of notifications/posts coming from the server being one hour in the future, since 10.2. already

@Torsten Torsten Wenn Du ihn über seine Bandcampseit kontaktierst, kann er Dir sicher genauere Auskunft geben :)

@Torsten Torsten Äh right, Adam is using a tracker on Amiga he says. When i met him two years ago he was using a hardware tracker, i forgot the brand, but it was new.

@SatansMaggotyCumFart Well, as you probably know coloured vinyl sounded worse than it’s black vinyl counterparts for a long time. But you’d only notice, when you had both. Besides that i believe, that recent improvements in pressing those things have minimized the difference.

@SatansMaggotyCumFart Not whatever it sounds like i guess ;)

@Harald Eilertsen a 4-track cassette will not do it, it’s much to coloured - unless you want that colour. But it starts to get interesting especially for bass and drums on a properly maintained machine, from 2-track 1/2" on.

@Harald Eilertsen Hihi. Are you going to record all on this on tape then? :)

@Harald Eilertsen TurboRAT has good crunch, too. Your splitting method sounds like a possibility, as long as there is no digital sound processing in the signal path in between (you could get latency problems otherwise: steady phasing due to signal buffers in the way)

@Harald Eilertsen It’s pretty similar, however has more bass response. I play baritone guitar, or drop C on D tunings, partly on sthg. like an electrified Martin Backpacker, so I want that whoomph to survive even in bigger distortion scenarios. Love that thing!

Anyone?

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@David McMullin #^[1](https://issuu.com/ictus-ensemble/docs/index_hellucination1) - less experimental, than I’d have guessed. Thank you, David, this has helped already. And your CD is worth 170€, says discogs.com :!

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@David McMullin Thank you David, I was a bit blown away by this recording: #^[1](https://ictusensemble.bandcamp.com/album/fausto-romitelli-an-index-of-metals) - and would love to just see, how Mr. Romitelli wrote this down before - I’ve no commercial implications, i am just curious about his notation style.

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